I feel like a friggin' hamster this morning. I'm running in circles inside my head, and while I know I'm not getting anywhere, I can't really make it stop.
You see... I'm blurbing again.
In the past couple days, I've written seven different versions of a possible blurb for Manhunter. Seven versions and none of them feel right. After six books, you'd think I'd have this down by now.
Heh. I wish. I wonder if any writer has this process down. Do the big name published authors even have to do their own blurbs? Does Nora Roberts write the backcover copy for her novels any more? Did she ever? What about Stephen King? James Patterson?
Not that I'm those people, but I'm just wondering if there'll ever be a day when I won't have to obsess over blurbs and synopses.
Don't worry about me. I'm just a wee bit frustrated. There's so much information I want to convey about the book, and I really only have two paragraphs in which to do it. I find myself wondering if I should stick with blurbing about the heroine and the villain, or whether I should focus on the heroine and her relationship with the hero - mentioning the villain only as she relates to them. Or whether all three characters should have their own spotlight. Decisions, decisions. The merry-go-round of indecisiveness. Weeeeee.
Do I mention the heroine's fear of fire - because it's integral to her character - or do I leave it behind because it's not overly integral to the plot?
Oh, and another thing... If I try to sell this to suspense agents and also to romance agents, I'm going to need two different blurbs. :sets own hair on fire and runs naked through the streets screaming:
Any hints on what you would do in a similar situation would be greatly appreciated. Or even a little sympathy would be nice.
Anyway, enough of my daily neuroses. How's things in your world?
4 hours ago