There seems to be something of a disagreement in the writing world about the dreaded prologue. From what I've read, prologues are a no-no. (Which is why I said 'dreaded'.) I've even had people tell me to drop the prologue from Caldera. But no real reason has been offered beyond the 'prologues are bad' argument. Oddly, one agent I queried loved the prologue and thought I should write a non-fiction piece based on the prologue. Unfortunately, he didn't like the premise of the novel itself. Ack. But I digress.
That's one side of the disagreement. On the other side, many of the books I've read lately have had... :drumroll: Prologues. Hmmm. Some of those books have been bestsellers. Now, you don't hear about those authors coming out in favor of prologues. They just write them.
While I'm sure people are out there writing prologues that do little more than give backstory or drag the beginning with unnecessary information, I don't think a wholesale ban on prologues is the right way to go about addressing the issue. Any more than a wholesale ban on slang or incomplete sentences would be appropriate. Just because some people use these devices improperly doesn't make them evil.
Having said that, however, I am considering dropping my prologue. Don't get me wrong. It's sets the whole book up rather nicely. It's only two pages, and I think it helps to be in there. How much it's helping, though, remains to be seen. And whether it's hurting Caldera's chances to be published remain to be seen as well. Right now, it's a coin toss. No one who has read the book in its entirety has had a problem with the prologue - or if they did, they never voiced their opinion about it.
So, I'm leaving it in the hands of my blog readers. The prologue is below. For those of you who haven't been reading along, the underlying plot of Caldera is about a scientist with a plan to control the impending eruption of the Yellowstone supervolcano.
It has happened before.
Six hundred thousand years ago, death and destruction rained from the Rocky Mountains to the Mississippi River, from the plains of Saskatchewan to the Gulf of Mexico. Seventy-five thousand years ago the sun disappeared beneath a haze of ash, killing the majority of the human race in the ensuing global winter. Fifteen hundred years ago, the most notorious of human eras—The Dark Ages—began in a shroud of gray volcanic dust.
Early in the 19th century, the center of a tiny island in the Dutch West Indies swelled and trembled and burst. Fiery boulders fell from the sky; ash blanketed both land and ocean for hundreds of miles as it spewed into the atmosphere. More than ninety thousand people died as the sky became clogged with soot—soot so thick that the year of 1816 was to become known as ‘The Year Without a Summer’.
Later in that same century, a mountain rising from the depths of the East Indies exploded and then collapsed. The sea rose twelve feet that day, pushed up suddenly as tons of rock dropped into its murky depths. Thundering walls of water swept toward Java, Sumatra, Bali; tens of thousands drown as the ocean broke over their homes and villages.
In each instance a caldera has erupted, and in each instance the world has born the brunt of its destruction.
So far, many of these types of events occurred before the ascension of man; so far, they have all occurred in sparsely populated areas. In the scheme of human disaster, these events remain insignificant. In perspective, the death toll has been minimal. But still, the tiny native children who shivered in fear as Tambora thundered down upon them thought it more than minimal. The tribal women who screamed their last breaths as Krakatau choked the sound away considered it from a different perspective. The peasants who endured The Dark Age’s endless years of starvation and suffering certainly thought it significant.
They all must have prayed for whatever god they knew to make it stop. They must have offered sacrifices and tributes to appease the wrath that cascaded upon them. But even amidst their fruitless prayers and hopeless offerings, they must have believed in their hearts that nothing could stop nature.
In the mountains of western Wyoming, a caldera lays in a fitful sleep—churning and gurgling and smoking like some great evil dragon—and mankind dances around it as if it has been caged for their amusement. The sparkling geysers and the boiling mud are merely an interesting diversion right now, but the dragon is bound by no man’s chains and it has overslept by twenty thousand years. When it awakens, no man will think it amusing, and no man with think of it as a mere diversion.
Pompeii was a firecracker. Mount Saint Helens, a birthday candle. When Yellowstone makes up its mind to blow, the people in its path will wish they’d been at Hiroshima instead.
Will they be praying on some sprawling ranch in Montana? Will they be screaming in some sparkling penthouse in Denver? Will they be choking under a layer of ash on the bustling streets of Houston?
Perhaps nothing can be done to stop nature. Or perhaps, just maybe, something can.
It has happened before. Perhaps it doesn’t have to happen again.
If it never gets published with the rest of Caldera, at least it's here. Barring any feelings about the writing style of the above excerpt, what are your thoughts on prologues? Do you use them when they're necessary, or do you shun them entirely?
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